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Learning to juggle with Flyin’ Bob

Flyin' Bob at Banff Elementary School. Photo: Meghan Krauss.

Flyin’ Bob at Banff Elementary School. Photo: Meghan Krauss.

I should start by saying I always wanted to know how to juggle, the key word  being know as opposed to learn or practice.

The week leading up to the first annual Banff Children’s Festival here at the Centre a number of workshops were held at the Banff Elementary School ranging from hula hooping, to storytelling, to Flyin’ Bob. Alongside Mr. Shields’ grade six class I wanted to see Flyin’ Bob work his magic and teach the children circus skills. The plan was just to watch, meet Flyin’ Bob, and talk to the kids about their experiences.

But walking into the gym and hearing the catchy music and seeing the tables of scarves, feathers, balls, and sticks, ranging in colours from pink, purple, yellow, red, green, and blue laid out in front of me, I felt like I was in grade six myself. My curiosity piqued and I suddenly wanted to touch everything on the table and play. “Instead of watching,” Flyin’ Bob tells me, “if you really want to understand the process you’ll have to join in.”

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Three tips for viewing wildlife in the wild

Now is a great time of year to explore Banff National Park and maybe even catch a glimpse of some wildlife. Here are some tips to enjoy Banff’s fauna all while staying safe and – above all – cool.

Viewing tip # 1: Play it cool, man. Banff is home to plenty of wildlife star power: grizzlies, wolves, elk, and moose. These are Banff’s prime time players, mountain town equivalents of Marlon Brando, Karen Kain, or Arcade Fire. They’re kind of a big deal and everyone’s pining for a glimpse. Canadians are purportedly far too respectful and modest to go chasing after stars, right? They say when Wayne Gretzky was in his goal-scoring and assist-threading prime in the 80s, he could walk around as he pleased in Edmonton and the good people of the ‘City of Champions’ would always let him be. People respected his personal space – very cool.

The same logic applies in Banff. I think it’s uncouth – even trite – to go chasing after these animals. They need their space and this is their home. Don’t force things: get an early start, pack a camera, and maybe, just maybe, magic will happen. Know that approaching wildlife at roadside bear jams is the mountain parks equivalent of a fully grown adult fainting and screaming at the sight of Justin Bieber – decidedly not cool.

Viewing tip # 2: Hiking in groups and carrying bear spray are Banff’s version of Converse shoes and tattoos. Confession: I no longer own any Converse shoes (a travesty I know) or have any tattoos. In my eyes, however, musicians and fans who don these at rock shows have instant indie street cred… they look the part. The same applies to getting out and about in the park. Here are two simple ways of fitting in and staying safe while hitting the mountain trails. Continue Reading →

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Around Banff: seasonal art and culture

When I found myself between snowboarding and hiking seasons this month, I took in a few of the events for springstART, a three-week festival of art, culture, and local history that takes over Banff in April. I’ve always been fascinated with observing home interiors, so the Whyte Museum of the Canadian Rockies heritage home tours was at the top of my list. I did three intimate tours, through rustic homes filled with relics of world travels and Banff paraphernalia: the home of philanthropists, world travellers, and visual artists Peter and Catharine Whyte, collectors and community leaders Philip and Pearl Moore, and the former home of Norman and Georgina Luxton.

I also visited the Buffalo Nations Luxton Museum, where a tour guide explained the lives of the Stoney/Nakoda and other Treaty 7 First Nations people indigenous to the area. And fittingly, because ART is highlighted in the name of the festival, there were lots of galleries and art exhibitions to see, including at The Banff Centre’s Walter Phillips Gallery, the Whyte Museum, Canada House Gallery, Willock & Sax Gallery, and others, along with a public art installation launch took place in the alley behind Town Hall.

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Rubbing Off: Impressions of Banff

It’s been almost six months since I left The Banff Centre as a work study. While living in Banff, I was often making work through rubbings from spaces in town or in Glyde Hall as a way to familiarize myself with this place and to make it more my home. The process of rubbing initiates a certain level of intimacy with an object that you wouldn’t normally have. You become familiar with the scrapes and dings on a stool, or how the edges of a table are so much smoother where the finish has worn off. It’s a way to take a space from just being the place you are, to a place you can think of as familiar.

The Walter Phillips Gallery invited me to lead a spring workshop earlier in April as part of springstART, leading a group though different spaces downtown. It was thought of as a way to help people see the parts of Banff that are often overlooked, as well as an invitation to think about alternative ways to create artwork. My art practice is based on alternative methods of printmaking, often making work from found materials or things that are found outside of the traditional art supply stores. One of the works I made while in Banff was a rubbing of a large picnic table at the recreation grounds. After, I traced over the print with ink. The piece was a record of the condition of the frequently used table, but by drawing over it, by altering the image, I was able to claim it.

Twenty people signed up for the day, and thirty people joined us at the Banff Park Museum Saturday afternoon, despite the wet spring weather. There were several families, as well as Banff Centre employees, locals, and travelers who participated. Nobody was afraid to  really explore Banff. For me, this workshop was a great reason to come back to Banff. It also gave me the chance to step back from my work, to see people discover the materials I spend so much of my time with.

Sarah McKarney is an Edmonton-based artist who works with alternative printmaking materials. Previously a Banff Centre work study, McKarney was recently invited back to the Centre to run Rubbing Off: A printmaking workshop as part of springstART programming.

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Are you an ‘Artist-Parent’?

My name is Pascale Ouellet, a.k.a. Bigoudi, and I’m an encaustic painter based in Canmore, near Banff. I’ve been a full-time artist for a decade, and in the last three years my life has taken a 180-degree turn following the birth of my two sons and the move of my studio into my house. My artistic practice is at a turning point and I have decided to use this opportunity to create some artworks on the subject of parenthood.

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Artist Pascale Ouellet with her sons Toby (left) and Theo.

I conceived the idea of doing a series of multi-media works based on the concept of parenthood through the eyes of an artist after Toby (my second child) was born and I lost all my bearings towards my art, towards my family, and towards myself.

Last December I participated in a two-week self-directed creative residency at The Banff Centre to ponder the subject of parenthood. Two weeks may seem very short for an artist… but it’s a long time in the life of a mother of a toddler and a baby.  Continue Reading →

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Eight things I learned about the art of route-setting in a climbing gym

Mark Kriddle on the newly route-set Sally Borden climbing wall. Photo: Meghan Krauss.

Mark Kriddle on the newly route-set Sally Borden climbing wall. Photo: Meghan Krauss.

Have you ever been in a climbing gym and gotten stumped at a particular spot along the route? The thought that usually crosses my mind as I cling to the wall, knuckles slowly turning white is, “What kind of perverted person would design something like this?” How (insert *!@#  here) am I supposed to switch my hands? Or rotate my foot? Or whatever move the hold in front of me is prompting me to do, but seems impossible at this very moment. I just had to meet the masterminds behind the route-setting here at the Sally Borden Fitness and Recreation Centre and give them a piece of my mind - I mean ask them a few questions. What I discovered was that route-setting is more of an art then I had realized.

Here are the eight things I learned about the art of route-setting:

#1      Everyone has their own way of doing it.

With so many different climbers, it’s important to have different route-setters with different styles and inspiration. As Chris Neve tells me you need to create “enough variety for people to really be tested on.”

For Chris, “I usually think about a grade and try and find the holds that match that grade. I like to get one kind of move that I want to do in a route. Sometimes that will be at the bottom, middle or at the top. I’ll make sure that move happens and I’ll just build around it.”

Mark Kriddle, on the other hand, “work(s) mostly from the bottom up. Normally I’ll start with hand holds first so I’ll start taping where I want the hand holds.”

As for Matt Wade, he “personally lay(s) the entire sequence down on the floor and then put(s) the route up in one big shot.”

#2      Inspiration comes from all sorts of sources.

These guys set approximately six new routes every week, which can prove challenging to keep the inspiration flowing. As Matt tells me, “I get a lot of inspiration from climbing outside or watching competition videos.”

As Chris said, “You find a pretty cool move and you try and replicate it in the gym because you think other people will like it as well. Sometimes when we have our bucket of holds, you’ll just see a hold you want to use.”

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